“Well I can see him comin’ so you better start a runnin’ right now”

Hey la, hey la!

Post title: “My Boyfriend’s Back” from Jersey Boys

I’m back!

Well…Sort of.  I realize it’s been nearly two months since I last posted, at which time I shared that this blog was created for a class and would eventually continue, after final grades had been posted.  Since that time, I have been trying to come up with a plan for this blog.  Do I really want it to continue?  Do I really have the time or the energy to write for it?

You see, I’m a perfectionist.  My writing is generally long, thought out, and personal – not quite right for a blog.  On the other hand, I’ve always dreamed about running a successful blog.  During this past semester, I searched WordPress many times, looking for blogs that interested me and leaving comments, hoping to making blogging buddies.  I’d love to be someone with a whole bunch of blog followers, both here and on social media.  Perhaps that’s selfish or arrogant, but I think it would be fun to create a community. 

I digress.  I think I have settled on a plan for this blog, although I am sure it will evolve, just like anything else.  

I’m going to keep it.  I’m sure my posts won’t be regular, because I’m a busy person who likes to live life away from the computer screen when possible.  I’m trying to not have a lot of expectations for myself.

However, some thing are going to change.  

I want to be able to post whatever I want on my blog – I don’t want to have to stick to one theme.  I have many other interests beyond the Broadway community – although I love it so, so dearly.  I want to be able to post about Disney, and my college adventures, and anything that might be going on in my life.  Having freedom to write about anything would encourage me to post more often.  

Problem: I have to figure out, technically, how I want this to work.  I love the blog title: “The View From Duffy Square” – I worked hard to come up with it, and when I did, I instantly fell in love.  I want to have it be its own section, or page, on my blog, with its title.  Disney posts will have their own page, school posts will have a page, and there will be a catchall page.  I have to do a little research on the WordPress help pages and figure out how to set things up the way I’d like.  

In the meantime, know that I’M BACK!  And I’m not going anywhere.  🙂 

Surprise

Post title: “Surprise” from If/Then the Musical

Elena: No more surprises
Your life’s on track

Beth: I’m moving forward
I won’t go back

Elena: So let your heart win
And let the doubt be gone

Elena & Beth: No more surprises

Beth: I’m moving on

Don’t shoot the messenger, but I have a confession to make: I started this blog for a class.  All semester, I’ve been following prompts and instructions and doing exactly what the professor has said to do – and more.  I’ve done my best to put my heart and soul into this blog, and I love writing for it.

Before you go getting all nervous – I’m not going anywhere.  I plan to continue writing for this blog long after the class is over and my final grade has been submitted.  I love writing about my love for Broadway and I have many hopes, dreams, goals, and plans for The View From Duffy Square.  I hope that if you’ve been reading for a while, and if you’ve followed my journey as a writer, you’ll continue to do so.  But for now, join me as I look back on how far I’ve come since late January/early February.  If you’re just getting here, feel free to check out some of my favorite previous posts, such as Something Was Missing, “Let’s hear it for the Rainbow Tour” – Part Two, “Special-ness seems de rigueur,” and “And then you’ll want the love you threw away before.”

I originally expected that the Broadway community had a larger presence on WordPress and in the blogging community in general.  So far, I have encountered wonderful people who love Broadway, but there haven’t been very many of them.  To my followers and continuous readers: I love you all and I am so grateful to have found you and to interact with you.  I wish that there was a larger Broadway blogosphere, but I know that many Broadway fans use Twitter, which is also a great format.  (Feel free to follow me @belleofbroadway!)

I also think that my original intent for this blog has shifted thanks to the prompts I’ve had to complete for class.  My professor came up with some pretty great prompts, and they were generally ones that I enjoyed writing about, but I struggled coming up with ideas for a few of them.  I think my writing reflects that.  I honestly think my writing is better when I allow myself to write whatever is on my mind or whatever I’m feeling passionate about.  That being said, I think that my blog will now be able to showcase pieces that are more meaningful to me.  I will also have all the time in the world to perfect my posts before publishing them.  I hope my readers will continue to like my posts as my blog might begin to take a new direction.

While I think that my tone has essentially stayed the same throughout the journey that has been this semester, I do believe my purpose has changed, and I hope that it will change back.  My original purpose for this blog was to write about my love for the Broadway community and all of its aspects.  I feel as though I haven’t been as passionate or creative lately with my posts as I’d like to be because I’ve had to stick to prompts (although learning different techniques is always useful).  I hope that my purpose will return to its original intent and that I will enjoy writing for this blog for a long time.

I look forward to continuing this blogging journey with all of you out there in the WordPress community and beyond.  I hope you’ll continue to enjoy my blog.  To paraphrase If/Then, no more surprises, my life’s on track.  I’m moving forward, I won’t go back.  I’m letting my heart win and letting the doubt be gone; I’m moving on – but not from this blog.  I’m moving forward.

“Why, nobody will oppose”

Post title: “Anything Goes” from Anything Goes

I’m lucky enough to have a friend from my hometown who is a professional Broadway actor.  For the sake of his privacy, I’ll refrain from using his name.  For clarification purposes, I’ll call him…Cole, as in Cole Porter because I used Anything Goes for the title of this post.  Cole has been in the business for more than fifteen years and has acquired numerous credits, including three Broadway shows.  I met him a few years before his second show and have been able to see him perform in the original Broadway cast (OBC) of his latest two.

Since I met my friend Cole, he has gone out of his way to see me whenever I make trips to New York City.  My mom and I generally have dinner with him between shows on two-show days or sometimes lunch.  Trips to see shows aren’t truly complete without seeing my friend, although of course he is not always available.  When he is, it’s a real joy.  Cole is a fantastic friend and incredibly humble.  Don’t let anyone ever tell you that people who work on Broadway aren’t real people – because they are.  To many, performing is just a job.  A job that they love wholeheartedly. 

More than any of our other visits, the two times I have seen my friend in his own shows have been my favorite trips to New York City.  Ever.  The first time was in fall of 2011.  The weather was absolutely beautiful.  Cole met my mom and me, and he took us out to lunch.  We took our deli sandwiches (he always takes us to the best places!) to an outdoor seating area.  I can’t really call it a park, because there is limited green in the area, but that’s basically what it is.  We ate and chatted, and then my friend had to run off to his call time.  He had a short meeting at the theater before half hour.  My mom and I were left to shop and wander for about half an hour before we waited outside the theater and went to the show. 

Right before he ran off, Cole told us we were on “the list” and to come to the stage door directly after the performance.  WHAT?!  I’d never stage-doored before, let alone…backstage?!  I let the shock wear off so I could enjoy the afternoon.

It should be said: there’s nothing quite like seeing someone you know perform on Broadway.  If you’ve seen friends perform in community theatre, you might have a small understanding.  But to watch professionals – Tony nominees, even – perform on a Broadway stage, and see that among them is a boy from your hometown… There aren’t words to describe how inspiring that is.  I remember the show well, and that it was a brilliant and highly entertaining show, but what I remember most about seeing my friend perform on Broadway is that I realized that anyone (me) can achieve her dreams if she works hard enough.  Here was a kid from my small town, who was in a Tony-winning show, living his dream because he didn’t let anything hold him back.  Here was a connection that had been made by one small-town high school music department between someone living his dream, and someone with her whole life ahead of her.  The experience was nothing short of amazing. 

When the show ended, my mom and I didn’t rush to leave the theater.  We had been told by Cole that he would take a few minutes to change and that, because there was limited room in the wings, he would meet us on stage.  We made our way around to the stage door and I was shaking with excitement.  We made our way inside, through the stage left wing, and onto the stage, where we waited less than five minutes for my friend.  I can’t believe I didn’t start crying.  A Broadway stage!  It was everything I’d ever dreamed of, if smaller that I pictured.  Cole led us through a short tour of some backstage areas.  He pointed out the set pieces, flown because of the limited room in the wings.  We even had a peak into the orchestra pit.  I took pictures with the two principal cast members.  It was a dream come true.  

Cole took us out to dinner afterwards at another place I’d never visited.  He bought us dessert for the ride home before he headed back to the theater for his second show of the day.  I don’t think he knew – or knows now – how much I admired him.   

Since that day, my mom and I have sent countless care packages to Cole and his casts.  There are even people in each of the casts who’ve said to us: “you’re the chocolate/donut people?!  THANK YOU!”  That’s a fantastic thing to hear from a Broadway actor.  We’ve seen him in a different show.  We’ve visited Cole several times since, but nothing can compare to the first time he took us backstage.  Although I’m in love with his current show now more than his previous one, the first time I stood on a Broadway stage will forever live in my memory as one  of my favorite moments – and one that I will always associate with a certain humble boy from a small town. 

“Give my regards to…”

Post title: “Give My Regards to Broadway” from George M. Cohan’s  Little Johnny Jones

The following are five of my favorite sets of lyrics from five different songs written about Broadway and theatre in general:


“New York, New York, a helluva town.
The Bronx is up but the Battery’s down.
The people ride in a hole in the ground.
New York, New York, it’s a helluva town!

The famous places to visit are so many,
or so the guidebooks say.
I promised Daddy I wouldn’t miss on any
and we have just one day.
Got to see the whole town
from Yonkers on down to the Bay.
In just one day!

New York, New York, a visitor’s place,
where no one lives on account of the pace,
but seven millions are screaming for space.
New York, New York, it’s a visitor’s place!” – “New York, New York” from On the Town


“Give my regards to Broadway 
Remember me to Herald Square
Tell all the gang at Forty-Second Street
That I will soon be there
Whisper of how I’m yearning
To mingle with the old time throng
Give my regards to old Broadway
And say that I’ll be there e’er long.” – “Give My Regards to Broadway” from George M. Cohan’s  Little Johnny Jones


“In the heart of little old New York,
You’ll find a thoroughfare.
It’s the part of little old New York
That runs into Times Square.
A crazy quilt that “Wall Street Jack” built,
If you’ve got a little time to spare,
I want to take you there.

Come and meet those dancing feet,
On the avenue I’m taking you to…

Come and meet those dancing feet,
On the avenue I’m taking you to,
Forty-Second Street.
Hear the beat of dancing feet,
It’s the song I love the melody of,
Forty-Second Street.

Little “nifties” from the Fifties, 
Innocent and sweet;
Sexy ladies from the Eighties, 
Who are indiscreet.

They’re side by side, they’re glorified
Where the underworld can meet the elite,
Forty-Second Street.” – “42nd Street” from 42nd Street


Peggy: I’m sorry show business isn’t for me. I’m goin’ back to Allentown!

Julian: What was the word you’ve just said, Allentown?
I’m offering you a chance to star in biggest musical
Broadway’s seen in twenty years and you say: “Allentown?”

“Come on along and listen to 
the lullaby of Broadway.
The hip hooray and bally hoo, 
the lullaby of Broadway.
The rumble of the subway train,
the rattle of the taxis.
The daffy-dills who entertain
at Angelo’s and Maxie’s.

When a Broadway baby says “Good night,”
it’s early in the morning.
Manhattan babies don’t sleep tight until the dawn:
good night, baby,
good night, milkman’s on his way.
Sleep tight, baby,
sleep tight, let’s call it a day,
Listen to the lullaby of old Broadway.” – “Lullaby of Broadway” from 42nd Street 


 And perhaps, the most famous of them all…

“They say the neon lights are bright on Broadway (On Broadway)
They say there’s always magic in the air (On Broadway)
But when you’re walkin’ down the street
and you ain’t had enough to eat
the glitter rubs right off and you’re nowhere (On Broadway)

They say the women treat you fine on Broadway (On Broadway)
But looking at them just gives me the blues (On Broadway)
‘Cause how ya gonna make some time
when all you got is one thin dime
and one thin dime won’t even shine your shoes

On Broadway

They say that I won’t last too long on Broadway (On Broadway)
I’ll catch a Greyhound bus for home, they all say (Catch a Greyhound)
But they’re dead wrong, I know they are
’cause I can play this here guitar

They say that I won’t last too long
They say that I won’t last too long
And I won’t quit till I’m a star
I won’t quit till I’m a star
I won’t quit till I’m a star

On Broadway!” – “On Broadway” (most recently) from Beautiful: the Carole King Musical


BuzzFeed created this cool list called “25 Best Broadway Songs About the Theater,” which, despite the fact that they spelled theatre wrong (because they’re talking about an art form), I think is pretty cool.  I’ve even used it to come up with ideas for titles for some of my posts.  I think it’s worth sharing. 

The point is: people write about what they know and what they love.  And theatre people know and love theatre!  There are many brilliant songs that express a love for one of the most amazing and magical forms of art and self-expression.  To theatre fans, these songs are our anthems.  They celebrate all that we represent.  Baseball fans have “Take me out to the ball game” or “Sweet Caroline,” for Boston Red Sox fans, and Liverpool Football Club stole “You’ll Never Walk Alone” from Carousel – but we have “On Broadway” and tons of other fantastic music because that’s what we’re all about!

As a bonus, let’s celebrate again a more modern song about Broadway: the 2013 Tony Awards’ opening number, “Bigger.” 

What are some of your theatre anthems? 

“Be the hero of your story if you can”

Post title: “Be the Hero” from Big Fish

The Broadway community is so vast and spans so many generations that, aside from being a diverse group of people, theatre folk have many, many idols to look up to.  I’ve created a list of people who are what one might call heroes or heroines in the Broadway community.  They range in age from 90+ years old to adolescent.  They’re people audiences buy tickets to see.  They’re people who might have their names billed above the title of a show.  The best part about this list is that it’s nowhere near complete.  I could name twice as many people who belong on this list.  For now I will only name 30.

Obviously, it’s impossible to include everyone.  There is no pecking order to the people I’ve chosen.  I’ll list them alphabetically by last name and include links to their social media pages, personal website, or more information about them.  

Julie Andrews

Annaleigh Ashford 

Laura Benanti

Sierra Boggess

Christian Borle

Matthew Broderick

Carol Burnett 

Norbert Leo Butz

Carol Channing

Kristin Chenoweth

Lilla Crawford

Harvey Fierstein 

Santino Fontana

Sutton Foster

Joel Grey

Neil Patrick Harris

Jeremy Jordan 

Nathan Lane

Norm Lewis

Patti LuPone

Audra McDonald

Idina Menzel

Liza Minnelli

Lin Manuel Miranda

Kelli O’Hara

Bernadette Peters

Billy Porter

Chita Rivera

Barbra Streisand 

Elaine Stritch

Have many names do you recognize?  Which ones do you think I should have included, but didn’t?  Who are your Broadway heroes and heroines? 

I Want to Make Magic

Post title: “I Want to Make Magic” from Fame the Musical

I recently posted about various special effects on Broadway.  I described in detail how many of them are executed.  In the comments, though, caress. posses. music. noted that gaining knowledge about how the special effects are performed ruined a little bit of the magic for him.  I think he makes an excellent point: sometimes, protecting the magic is more important and more special than understanding how something works. 

Personally, I love to learn everything about everything.  Another one of my passions is Disney, and I try to read all of the books I can find on Disney history.  I love to immerse myself in how things work and what it’s like backstage – which is the metaphor the Disney Parks division of the company uses to distinguish between on stage, or at work, and behind the scenes, where guests do not have access.  I have a similar passion for Broadway.  I want to learn everything I can about every show out there – especially the more obscure ones.  I want to understand how special effects are executed and how they were created.  I want to know what happens off stage, too – both backstage and outside of the theater.  For me, learning more about how things work only increases the magic element. 

But even though I want to learn all there is to learn about how a theater runs and how a show is put on, it’s important to take a step back every once in a while.  It’s important to remember that it really is all about the magic – both its creation and preservation.  I often use phrases such as: “that’s truly what theatre is all about.”  Indeed, though, theatre is about creating a greater, enhanced reality achieved through drama, humor, fantasy, and – importantly – magic.  It’s important to remember that for one person, magic elements might be different and have different meanings than those of another.

Somehow, we’re all connected through the magic that is theatre, whether we want to know the secrets behind the curtain or not.  We all love the music and the magic, and being part of something bigger than our individual selves. 

“I want to make magic
I want to be bigger than I am
I want to make people really care
Really give a damn”

The Internet is For…

 Post title: “The Internet is For Porn” from Avenue Q

This is a comprehensive list of Broadway YouTube channels! If you can’t get to New York City for shows very often, YouTube is a great way to tide you over until the next time you have the opportunity to see a show. Check out some of the information here!

Our Time

Post title: “Our Time” from Merrily We Roll Along

(Spoiler alert – skip down to below the horizontal line if you don’t want to spoil the end of the show!)

FRANK: Would I be hanged if I told

you young innocents a few realities? 
I can save you guys so much pain and hurt if 
I can make you understand today that life isn’t
about doing the best; it’s about doing the best you can.

FRANK (Younger): No, it isn’t. It’s doing the best.

FRANK (Older): A goal is something you aim for more than something you achieve.

STUDENT: It’s the old “tell it like it is” speech.

FRANK (Older): I’m thinking you better start by hearing the word “practical,” right here, 
right now, today.

STUDENT: Where’s the exit?

FRANK (Older): Some day I guarantee you’ll know the word “practical” very well.

STUDENT: Wow.

FRANK (Older): Fate has a way of introducing us to “practical” eventually.

STUDENT: Give us a break, Mr. Shepard.

FRANK (Older): And it’s the same with the word “compromise.”

STUDENT: Compromise? I haven’t even started.


The end is in the beginning.  

What?

You see, some stories are better told backward – like in George Furth and Stephen Sondheim’s Merrily We Roll Along.  Frank Shepard’s life is told in reverse chronological order, and as the show goes on, the audience learns how Frank achieved his success as a Hollywood producer.  My favorite parts of the show (aside from the song “Our Time,” which is one of my favorite musical theatre songs ever) were when the events of the past revealed things that are connected to the present.  Many of these moments result in ironic humor, which I find hysterical.  

One of the shows first scenes features Frank at a graduation ceremony at his alma mater – 25 years after his own ceremony.  The valedictorian invites Frank, who wrote the song they all just sang, up to the stage to say a few words.  The section of dialogue from the song “Along the Hills of Tomorrow” is quoted above.  Go back and read it.  I’ll wait.  

The graduation ceremony takes place after all of the events that will be portrayed in the rest of the show have happened.  The show’s plot is fairly confusing (think Les Misérables before you knew what it was about) so I’ll spare you the details.  After the first initial scenes, the show jumps back in time.  A few more scenes are played, and then the show jumps back in time again.  The pattern continues until the end of the show.  The trio of main characters – Frank, Mary, and Charley – meet up on a roof of an old apartment building where they watch for the Sputnik satellite and dream of all they want to accomplish.

Finally, the events of the show come full circle in the final scene, which revisits the graduation ceremony.  Older Frank reflects on the events of his life, and the mess that it is, with his younger self.  He advises his younger self to make better choices and that anything is possible. 

Merrily We Roll Along didn’t do well on Broadway – the show only ran for 52 previews and 16 performances.  Community/high school/college theatre organizations will sometimes perform the show.  I had the chance to see a high school production several years ago.  Aside from the performers really lacking in the talent department – which is not something I say without great thought and deliberation –  the show confused me completely.  I didn’t know anything about it before I walked into the school.  Merrily is a show that one simply must look up before seeing.  Once you understand that the show will be told in reverse, everything makes much more sense.  Despite the show’s unsuccessfulness, it’s creative storytelling is an innovation in itself.  

Some of my favorite Broadway musicals are such because of their unique storytelling features.  The Broadway hit If/Then (starring none other than queen Idina Menzel) is a more recent example.  In If/Then, main character Elizabeth (Idina Menzel) moves back to New York City after a failed marriage.  She is in the process of reinventing herself and starting a new life – but how do her everyday choices affect her life on a more major scale?  The show splits into two halves.  Elizabeth begins to run parallel lives as Liz and Beth.  As Liz, she makes decisions that lead to love.  As Beth, she chooses her career.  But which path is the best one?  The show is creative, original, and complicated.  It’s another example of a show that one needs to see in person to fully experience/understand.  

The Last Five Years also has a unique story element.  I don’t know much about this show – and I refuse to see the movie until I’ve seen a group perform it live – so please forgive me for any inaccuracies.  The show is about a couple – Jamie and Cathy – and their five-year relationship.  What is unique about it is that Cathy’s story is told in reverse chronological order – while at the same time, Jamie’s version is told in a traditional order (starting when they first meet).  The pair meet in the middle at their wedding, which is the only time the two characters interact.  The storyline of this show sounds completely brilliant.  I wish I could say that I have more experience with it.  What’s most intriguing to me is not the story itself, but how it is told through the unique elements of simultaneous storylines and minimal interaction between the two main players. 

I find shows that have unique storytelling elements completely brilliant.  I can’t even imagine what the creators were going through when they first wrote, and then put up these shows.  They must have confused the plot to the point that it made them crazy!  No matter – Merrily We Roll AlongIf/Then, and The Last Five Years are fantastic works of art, noted for their innovation, sheer brilliance, and stunning music and lyrics (in some of the examples more than others).  They all express universal themes of “what if?” and “how can I tell my own version of my life?”

As the character Josh sings so eloquently during “You Never Know” from If/Then

“You may think you know the end and the beginning
But the truth is there’s no mortal way to tell.”

Have you ever seen one of these shows, or another with a unique storytelling element?  I’d love to hear your thoughts!

Lastly, I’ll leave you with my favorite lyrics from “Our Time,” because I have to include them when mentioning Merrily We Roll Along

“We’re the movers and we’re the shapers.
We’re the names in tomorrow’s papers.
It’s up to us now to show ’em!”

“Let’s hear it for the Rainbow Tour” – Part Two

Post title: “Rainbow Tour” from Evita

When I first started my blog, I briefly mentioned Broadway tours.  Consider this post a more in-depth discussion on the subject.  For many of us (including me), national tours are our first glimpse of the world of Broadway.  I saw the national tour of The Lion King quite a while before I saw my first Broadway show – it was so long ago, in fact, that I only remember a couple of details about the trip, and nothing from the show itself.

Tonight, while taking on (another) a small personal project, I realized that I’ve seen over forty national tours – and I haven’t even completed my list.  I’m lucky enough that I live about an hour from The Bushnell Center for the Performing Arts in Hartford, Connecticut.  It’s a venue that hosts several touring companies a year, which they call “the Bushnell Broadway series.”  It’s a beautiful location, home to two stunning theaters.  It’s the Hartford Symphony Orchestra’s home, and also plays host to Ha Ha Hartford and a multitude of special guests throughout the year.  I’ve seen numerous shows at the Bushnell, and I absolutely love going there.  But what makes Broadway national tours so special?

1.  They’re closer to home.

For me, New York City’s Theatre District is only about a 4-hour bus or train ride, but for so many other theatre fans the distance between home and the city that never sleeps is staggering.  Traveling there might mean long hours in a car or on a bus, train, plane, or combination of transportation.  Traveling companies allow audience members to skip the travel fees and stress and opt for something closer to home.  Finding a venue near you is pretty simple.  One of the links at the bottom of this post is a great resource if you live in the U.S. 

2.  They’re less expensive.

This is a major selling point for national tours.  Not only do you get to skip outrageous traveling costs, but ticket prices are often less than you might pay to see a show in New York City.  Be careful, though, because sometimes cheaper tickets mean a production is Non-Equity (non-union), and that starts getting political.  (Aside: a discussion about Actors’ Equity is an idea for a future post!)  As a whole, though, purchasing tickets for tours can be less expensive than a trip to Broadway, which can be a major selling point.

3.  The casts are up-and-coming.

When you pay for your ticket to a national tour, you’re probably not paying to see Broadway’s biggest stars – with some exceptions.  Lucie Arnaz (daughter of I Love Lucy‘s Lucille Ball and Desi Arnaz) recently did a stint in the national tour of Pippin, and Billy Porter from Broadway’s Kinky Boots will swap to the touring production during its performances in his hometown.  And once upon a time, I was amazed to see the Shirley Jones in The Music Man.  These opportunities, as fantastic as they may be, are exceptions. Traditionally, touring casts are actors with fewer credits than their Broadway counterparts, (unless the show has come directly from Broadway, i.e. Pippin or Rodgers and Hammerstein’s Cinderella).  The cool thing about seeing fresh faces is that you can follow them on their professional journey, and possibly even say that you saw one of their first credits.  That does not, however, take away from their talent!  Touring casts consist of professionals!

4.  The casts are so nice!

Many theatre fans take pleasure in greeting actors after the final curtain at Broadway shows at the Stage Door.  On tour, there are also opportunities to take part in this beloved ritual.  Be sure to ask at your local venue what the policies are (although may staff might not have an answer/understand what you’re talking about) and where the stage door is located.  I recently discovered that touring casts are so nice because I only started visiting them after shows within the last year.  So far, I’ve met the touring casts of Evita, Joseph and the Amazing Technicolor Dreamcoat, Pippin, and Nice Work If You Can Get It, to name a few.  Everyone has been incredibly kind and willing to not only sign playbills but also pose for pictures – even in the bitter winter of January and February in Connecticut!  Several people I’ve met have struck up conversations with me (during the warmer months) and its awesome to see their reactions to your thoughts about the show and hear about their experiences on the road.  Don’t feel like you have to skip visiting the stage door, because the casts appreciate the love!

5.  The shows are high quality.

Like, the highest quality.  These people perform their show around eight times a week, even though they might not have a traditional New York schedule – in fact, touring productions normally don’t.  The point is, the people working on Broadway shows are paid for what they do.  They may not have names you recognize, but they’re professionals.  The creative people behind the show have likely worked long hours taking a full-scale Broadway show and making it travel sized.  The show has been adapted for travel – set pieces might fold or be adapted to be loaded onto trucks every few weeks (or more often).  Some pieces, though, are just too large to carry around on the road.  For example, the golf cart in Legally Blonde the Musical did not travel with the touring company.  The same can be said for the boat in The Phantom of the Opera.  Most pieces, though, are adapted or created to be portable (or as portable as can be).  Examples include backdrops, large set pieces (think the barricade in Les Misérables), and props.  Everything travels with a company!  Often, tours launch after Broadway shows have closed.  This could mean that audiences around the country come face-to-face with the actual sets and/or props that were used in New York.  Every effort is made to create the highest quality production possible.

Bonus: Touring before Broadway!

A new trend has started as of late!  Instead of following the norm in terms of a show’s life: workshopping, out-of-town tryout, previews, Broadway, national tour… Shows are touring before Broadway!  Some examples include Flashdance the Musical and Miss Saigon (currently running in London’s West End).  Once upon a time, it was normal, if not expected, for shows to tour the country before opening on Broadway.  Now, the conventional expectation is completely the opposite.  But the few exceptions are exciting news for theatre fans across the country – they give audiences a chance to see a new show before everyone else!  So if a national tour is coming to a theater near you, but you’ve never heard of the show, consider buying a ticket because you could be one of the first people to see it – ever.  Because above all, isn’t that what theatre is about: creating new and unique experiences through art?  

For additional resources about Broadway tours, and to find one near you, check out Broadway.com’s Broadway Across America and Broadway.org’s list of touring productions.  Plus, be sure to check out episode number 44 of The Ensemblist, which is all about “Life on Tour.”  And just go ahead and listen to all of their episodes while you’re at it, because they are all fantastic